Search this page for related resources and materials with the Museum’s permanent collection and changing exhibitions.
Special Exhibition or Permanent Collection
Cicada by Rob Evans
Learn more about the triptych, “Cicada” by Rob Evans – a symbolic painting that depicts a story.
Over and Above by Clarence Carter
Learn more about artist Clarence Carter and his Over and Above Series through this teaching poster available for the classroom.
What was The Process Behind Creating the Painting Cicada?Study for Cicada, 1996, Rob Evans (b.1959), Pencil on paper, Collection of the Artist, Image courtesy of Rob Evans. Image Credit: First Study for Cicada, c.1994, Rob Evans (b.1959), Pencil...
Teaching Resources for Magical & Real: Henriette Wyeth and Peter Hurd, A Retrospective
These supplemental materials and teaching resources were developed in conjunction with the exhibition, Magical & Real: Henriette Wyeth and Peter Hurd, A Retrospective.
View of Almshouse, a painting that tells a story!
Image Credit: View of Almshouse, ca.1900, Artist Unknown, oil on canvas, H.24 x W.20.125 inches, James A. Michener Art Museum, Anonymous Gift. What story do you think the artist was trying to tell in this…
James A. Michener: A Living Legacy
Image Credit: C.P. Vaughn, Portrait of James A. Michener, n.d., pencil and charcoal on paper, H. 24.625 x W. 20.625 inches, James A. Michener Art Museum. Museum purchase.
Dancing Steelroots by Steve Tobin
Image credit: Steve Tobin (1957-present), Dancing Steelroots, 2002, James A. Michener Art Museum. Photo provided courtesy of the artist.
Teaching Resources for Decorated, Displayed, Discovered: Celebrating the Region’s School Art Collections
These supplemental materials and teaching resources were developed in conjunction with the exhibition, Decorated, Displayed, Discovered: Celebrating the Region’s School Art Collections.
Chilmark Moor, Martha’s Vineyard by William Lathrop
Image Credit: William Langson Lathrop (1859-1938), Chilmark Moor, Martha’s Vineyard, 1930, oil on canvas, H. 25 x W. 30 inches, James A. Michener Art Museum. Gift of Marguerite and Gerry Lenfest.
Back Road to Pipersville by Fern Coppedge
Learn more about the work by Bucks County painter, Fern I. Coppedge and her favorite subject, the winter landscape.
The Legacy of Principal Charles Dudley: Woodrow Wilson Middle School’s Art Collection
Charles Dudley (1881-1957) began as principal of Woodrow Wilson Middle School in 1928 with many goals in mind, one of which was to build an art collection with which no other school could compare, and…
An Artist’s Creative Process: The Sketchbook
Learn about how the sketchbook can be an important tool for artists when creating their work.
Moonstruck Goat by Elsie DriggsImage credit: Elsie Driggs (1898-1992), Moonstruck Goat, 1957, oil and pieced fabric on primed canvas, H. 16 x W. 16 inches, James A. Michener Art Museum. Museum purchase funded by Agnes and...
A Wooded Watershed by Daniel Garber
Image credit: Daniel Garber (1880-1958), A Wooded Watershed, 1926, oil on canvas, 129.25 x 257.25 inches, James A. Michener Art Museum Acquired with a Legislative Initiative Grant awarded by Senator Craig Lewis
Morrell’s Spinning Wheel and Wool Winder by Katharine Steele Renninger
Image credit: Katharine Steele Renninger (1925-2004), Morrell’s Spinning Wheel and Wool Winder, 1988, H. 17.625 x W. 23.625 inches, casein on linen canvas mounted on masonite, James A. Michener Art Museum. Gift of Mr. and Mrs. Joseph L. Wesley, Sr., on the occasion of a tribute to George Ermentrout.
The Burning of Center Bridge by Edward Redfield
Edward Redfield, a famous Pennsylvania Impressionist, preferred to paint outdoors. He completed his paintings in one sitting, a process he called “at one go.” An exception happened on July 22, 1923, when the old wooden bridge across the Delaware River at Center Bridge was struck by lightening. Redfield made notes as he watched the fire, then painted the scene the next day in his studio. The following day, he painted it again. This painting was created on July 24th, his favorite of the two canvases.
The Jazz Trio by Joseph Meierhans
Joseph Meierhans’ The Jazz Trio is an abstract Modernist painting, inspired by the improvisation and liveliness of jazz music. Meierhans often compared composing music to painting saying that a painting must “sing for the eye as much as music does for the ear.” In this work, he uses the repetition of colors, shapes and dynamic lines to lead the viewer’s eye around the painting and create a visual melody. The shapes and lines intersect and overlap to create movement and rhythm in the composition.
A Student’s Reflections on Pennsylvania City, Manayunk by Walter Baum
Image credit: Walter Baum (1884-1956), Pennsylvania City, Manayunk, c. 1947, oil on canvas, Souderton Area School District. The Decorated, Displayed, Discovered: Celebrating the Region’s School Art Collections Exhibit at the Michener Art Museum features a…
School Stories: Artist Joseph Meierhans and The Pennridge School District
Image credit: Joseph Meierhans (1890-1981), No. 2 Piz Palü Morteratsch Glacier, c. late 1950s, oil on canvas, 53.5″H x 53.5″W, Pennridge School District. The Delaware Valley region has long been home to artists who have…
Romeo and Juliet by Steve Tobin
This pair of large sculptures are made by casting tree roots in bronze. Artist Steve Tobin excavates the entire root structures and then makes several flexible rubber molds that capture the intricate shapes and detail of the roots. He uses the rubber mold to make a wax shell that he covers in a heat-resistant ceramic material and fills it with melted bronze. Tobin uses a bright-red patina to finish these sculptures. The two sculptures are installed together so that they are almost touching limbs and named after the star-crossed lovers in William Shakespeare’s Romeo and Juliet.